Mockingjay (The Final Book of The Hunger Games) [Kindle Edition]

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Against all odds, Katniss Everdeen has survived the Hunger Games twice. But now that she's made against each other with the bloody arena alive, she's still not safe. The Capitol is angry. The Capitol wants revenge. Who can they think should pay for that unrest? Katniss. And what's worse, President Snow has made it clear that no person else is safe either. Not Katniss's family, not her friends, not the folks of District 12. Powerful and haunting, this thrilling final installment of Suzanne Collins's groundbreaking The Hunger Games trilogy promises being one with the most talked about books from the year.
A Q&A with Suzanne Collins, Author of Mockingjay (The Final Book of The Hunger Games)
Q: You have said in the start that The Hunger Games story was intended being a trilogy. Did it genuinely end the means by which you planned it in the beginning?

A: Very much so. While I did not know every detail, of course, the arc with the story from gladiator game, to revolution, to war, for the eventual outcome remained constant through the entire writing process.

Q: We understand you worked about the initial screenplay for any film to become depending on The Hunger Games. What could be the biggest difference between writing a novel and writing a screenplay?

A: There have been several significant differences. Time, for starters. If you are adapting a novel in a two-hour movie you cannot take everything with you. The story has to get condensed to match the newest form. Then there is the question of how best to consider a novel told inside the first person and present tense and transform it in a satisfying dramatic experience. In the novel, you won't ever leave Katniss for any second and therefore are privy to all of her thoughts so you will need a strategy to dramatize her inner world and to generate it easy for other characters to exist outside her company. Finally, there's the challenge of the way to present the violence while still maintaining a PG-13 rating so that your core audience can view it. A lot of the situation is acceptable on the page that would not be on the screen. But wait, how certain moments are depicted will ultimately be inside the director's hands.

Q: Have you been capable to consider future projects while working on The Hunger Games, or are you immersed inside the world you are currently creating so fully it is simply too challenging to think about new ideas?

A: We have a few seeds of ideas boating inside my head but--given a good deal of of my focus continues to be on The Hunger Games--it will likely be awhile before one fully emerges and I can start to develop it.

Q: The Hunger Games is a yearly televised event in which one boy and one girl from each from the twelve districts is made to participate in a fight-to-the-death on live TV. Exactly what do you believe the selling point of reality television is--to both kids and adults?

A: Well, they're often create as games and, like sporting events, there's an desire for seeing who wins. The contestants are generally unknown, which ensures they are relatable. Sometimes they've got very talented people performing. Then there's the voyeuristic thrill—watching people being humiliated, or delivered to tears, or suffering physically--which I've found very disturbing. There's also the potential for desensitizing the audience, so that after they see real tragedy playing out on, say, the news, it doesn't possess the impact it should.

Q: If you were forced to compete within the Hunger Games, what do you think that your personal skill would be?

A: Hiding. I'd be scaling those trees like Katniss and Rue. Since I became trained in sword-fighting, I guess my best hope will be to obtain hold of the rapier if there is one available. But the facts is I'd probably get in relation to a four in Training.

Q: What do you hope readers can come away with once they read The Hunger Games trilogy?

A: Questions about how elements in the books might be relevant inside their own lives. And, when they are disturbing, what you might do about them.

Q: What were some of the favorite novels when you are a teen?

A: A Tree Grows in Brooklyn by Betty Smith
The Heart Is a Lonely Hunter by Carson McCullers
Nineteen Eighty Four by George Orwell
Anna Karenina by Leo Tolstoy
Slaughterhouse-Five by Kurt Vonnegut
A Wrinkle in Time by Madeleine L’Engle
Lord of the Flies by William Golding
Boris by Jaapter Haar
Germinal by Emile Zola
Dandelion Wine by Ray Bradbury
(Photo © Cap Pryor)


Gr 7 Up–The final installment of Suzanne Collins's trilogy sets Katniss in a more Hunger Game, but this time around it is for world control. While it can be a clever twist on the original plot, this means that there's less focus on the individual characters and more on political intrigue and large scale destruction. That said, Carolyn McCormick will continue to breathe life in a less vibrant Katniss by showing her despair both at those she feels accountable for killing and possibly at her own motives and choices. This is an older, wiser, sadder, and incredibly reluctant heroine, torn between revenge and compassion. McCormick captures these conflicts by changing the pitch and pacing of Katniss's voice. Katniss is both a pawn with the rebels as well as the victim of President Snow, who uses Peeta to try to control Katniss. Peeta's struggles are very evidenced as part of his voice, which goes from rage to puzzlement to an unsure return to sweetness. McCormick also helps make the secondary characters—some malevolent, others benevolent, and a lot of confused—very real with distinct voices and agendas/concerns. She acts just like an outside chronicler in giving listeners just “the facts” but also respects the individuality and different challenges of each of the main characters. A successful completion of a monumental series.–Edith Ching, University of Maryland, College Parkα(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.








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